Practice

*******SAVE THE DATE**********
We are very excited to announce that Wingbeats will be returning on Friday 17th November! This is the second conference in a series, celebrating the work we do and also exploring the music for health sector through a variety of presentations, panel discussions and performances. It will be held at Whitworth Art Gallery, which is one of our valued partner organisations. We are especially thrilled that Matt Griffiths, CEO of National Foundation for... Youth Music and our main funder will be kicking off the day with a keynote speech! This FREE conference promises to be an amazing, inspiring and informative event so please don't miss out. We will be posting a link to an eventbrite page over the next couple of weeks so that you can secure your place. In the meantime if you have any questions or would like to be on our mailing list, please email Kate Catling, Project Manager at katecatlingfreelance@gmail.com

*******SAVE THE DATE**********
We are very excited to announce that Wingbeats will be returning on Friday 17th November! This is the second conference in a series, celebrating the work we do and also exploring the music for health sector through a variety of presentations, panel discussions and performances. It will be held at Whitworth Art Gallery, which is one of our valued partner organisations. We are especially thrilled that Matt Griffiths, CEO of National Foundation for... Youth Music and our main funder will be kicking off the day with a keynote speech! This FREE conference promises to be an amazing, inspiring and informative event so please don't miss out. We will be posting a link to an eventbrite page over the next couple of weeks so that you can secure your place. In the meantime if you have any questions or would like to be on our mailing list, please email Kate Catling, Project Manager at katecatlingfreelance@gmail.com

Mavericks is a project that bridges feuding communities through music. 

The XLR Collective start recording thier Debut EP.

“In the UK, over the last 10 – 15 years, the quantity and range of music for babies and very young children has expanded considerably.  But standards of practice have not kept pace with this rapid expansion and remain worryingly low.  The reason is clear.  Early childhood music specialists are not required to have any form of prior qualification to practise.  We expect degree level qualifications to lead music with all other age groups – but for some reason accept the fact that for children below the age of five, we do not require music educators to have any kind of prior, professional preparation.” 
– Dr Susan Young

Carrie Lennard is an SEN music teacher at St Ann’s School in Ealing and creator of The Improvise Approach, an innovative educational tool to support music making with SEN children.  Below she shares her thoughts on technology, the challenges facing music practitioners in SEN and creating change in the curriculum.

Wired4Music is the network for 16-25 years olds all interested in music and living in London, hosted by Sound Connections. Members can sign up quickly and easily via the Wired4Music website, and the Sound Connections team work closely with these individuals and groups to empower their music projects and ideas.

Join us at Cecil Sharp House on Thursday 30 November 2017 where we will be strengthening our commitment to social justice. Through conversations with our network, and motivated by seeing continued injustices in the world, we’ve created a conference to tackle some big questions head on.

Here at Sound Connections, we’re on a mission to become an Attitude Champion. We’ve partnered with the inspiring team at Attitude is Everything because we believe in their mission to improve deaf and disabled access to live music and music making activities.

Earlier this year we were excited to award Wired4Music member Jacob Roberts-Mensah a place on our Generate programme, with a bursary and mentoring support to run his own music project.

A discussion of how working with Audioactive has helped me to develop as an artist and professional, looking specifically at performance with Ableton Live.

A discussion of how working with Audioactive has helped me to develop as an artist and professional, looking specifically at performance with Ableton Live.